Concert videos

When recording audio for a video we have the same quality requirements (sound quality, spatiality, location, technical quality, etc.) as in audio recordings alone. It is important when placing the microphones to try to reduce the visual impact of the equipment, although we know that the invisible microphone has not yet been invented. For this purpose, wireless microphones are sometimes used or microphones are hung from above. The audio and video recording of concerts is done in collaboration with video production companies that have experience in this special field of music video production.

Ciclo CNDM Summer Festival 2020
Streaming concerts

Auditorio Nacional de Madrid / Chamber Hall

Leticia Moreno (violin)
Josu de Solaun (piano)
Handheld program
Video: Javier Rubio

Pablo Martín Caminero (contrabajo)
Moisés P. Sánchez (piano)
Handheld program: https://bit.ly/2OsjsVO?

Video: Javier Rubio

La Ritirata
Handheld program
Video: Javier Rubio

Beethoven Emperor Concerto No. 5

Sala Baluarte / Pamplona

Sergei Yerokhin – piano
Real Filarmonía de Galicia

Director: Jonathan Webb
Video: Antonio Cid

Videos with post-production

Video recorded without audience

In this column there are videos that have been recorded without an audience. Each movement or each fragment has been repeated several times in the recording, recording different shots for the video. In post-production, the best audio and video shots are chosen.

Adopt a musician

 

ONE Educational Project

Primary:

 

Secondary:

Musica|aɔisùM

Marta Rossi & La Ritirata

Marcos Díaz – Guitarra

Video: Javier Rubio

Marcos Díaz – Guitarra

Video: Peter Prukl

Ewelina Bielarczyk – Viola

Video: Javier Rubio

Riyehee Hong – órgano
Órgano de Santa María Tordesillas
Vídeo: Javier Rubio

Recording of opera

In the audio recording of an opera, there are a series of characteristics that differentiate it from other musical recordings. On the one hand, we are faced with the requirement that the microphones are not visible either in the making of the video or from the stalls, which does not allow us to place the microphones in their ideal position, but forces us to hide them on stage and use wireless models for soloists. So, mixing and sound treatment will require a special technique. On the other hand, especially in live opera broadcasts such as those performed at the Teatro Real in Madrid, performances are recorded prior to the one to be broadcast, as a rehearsal, in order to be able to carry out all the changes in the mix according to the stage movements in real time.

Some of the operas we have recorded at the Teatro Real in Madrid:

Capriccio
Street Scene
La Bohème (en directo) link facebook

Carmen
Deadmen Walking
Mi madre la oca
El sueño de una noche de verano

are located in
My Opera Player del Teatro Real

Teatro Auditorium of
San Lorenzo de El Escorial

Verdi: Don Carlo
ORCAM
Director musical: Maximiano Valdés
Director escena: Albert Boadella
Vídeo: Carlos Ortega

Tomás Bretón: La Verbena de la Paloma
ORCAM
Director musical: Miguel Roa
Director escena: Marina Bollain
Vídeo: Juan Andreu Baixauli

Sello: Decca